“Ocean Sail” is a large 48×36″ standard gallery wrap completed. I would recommend a frame on this work because of the size and the thinner stretched canvas.
As it is summer, I have been drawn to the ocean and try to swim at least a couple times a week. While emersing myself in the salty water, I notice the colors and reflections of the water. The light blues are really only on the surface of the water reflecting off the clouds and sky. The gaff rigged sailboat sail toward the mainland in the distance.
The last couple years, I have painted many ocean scenes as I work out how to make water look like the liquid it is. Repetitive subject matter is not a bad thing. The more I work out my ideas, the closer I get to the feeling I am trying to express.
Christina is finally completed. She is 48×36″ thick gallery wrap.
My sister, Sherie remarked that she reminded her of Andrew Wyeth’s painting of Christina in the fields. SO this is my version of her under the sea.
Detail shots. Prints are now available on demand.
“Ocean Sail” is a new painting that was recently completed after setting it aside for a year. It is 48×30″ and would remind you of the beauty of the sea hung on a wall. Most of my paintings are ocean related: mermaids, beach landscapes, tropical and islands, underwater, fish, and reefs. Growing up near the Pacific ocean and then living near the Atlantic for nearly 40 years, I feel that I have salt water in my veins. As a child, my family spent a lot of time sailing around the coast of Southern California and the islands from Santa Barbara to Ensenada Mexico. We dove, fished, sailed, and explored the islands.
AS an artist, I paint what I love. Last summer, I started body surfing again and noticed all the colors and reflections in and on the water. After working out problems with how to paint water so it appears liquid and also incorporating the reflection of the sky on the top of the water, I feel that I am finally figuring out how to create that feeling. Since I make the scenes up from memories, each painting is a challenge. I ponder for many hours in the struggle to mix the correct colors for the underpainting and all of the layers. You have to make a plan for how to do each layer in order to create the vision from your head.
Recently, I worked on a series of water reflections on the ocean. Trying to achieve the fluidity of water and the color of the reflections from the sky on the top of the water.
“Message in a Bottle” a 40×30″ gallery wrap painting. There is a bottle floating on the surface with a note that says “I Love You”. Originally, I had way too much detail and decided to smooth out more highlights, especially the golden reflections. Available.
Pink Clouds” is 36×36″ gallery wrap with a more abstract approach. I wanted to keep it with bold strokes and not overwork it. There is a little sailboat on the horizon and subtle pastels throughout. I think this would look great above a fireplace or a room where a vision of the ocean brings you calm thoughts. Available.
This is one of my favorites. “Surface Reflections” is 30×40″. The coloring is more greenish as I discovered while bodysurfing. Its abstractness yet visually still a bit realistic was the vision I had. Always, when I have an inspiration or working in a series, the challenges of how to accomplish the final painting. Its rather like drawing up a story board in layers. When starting, I use very large brushes and energetically add to the canvas broad shapes of colors. Each color is custom mixed for each painting and guessing how warm or cool I want the color to be. I like putting warm tinted gessoes and acrylic over areas that will eventually be cool. Each phase needs to be pondered and then the steps to mix colors that give me the details that will eventually emerge. The use of transparent colors mixed with a glazing medium are what make the more realistic effect.Each layer has to dry before the next. It is part of the challenges that make being an artist so rewarding.
“Water Reflections” is a 36×36′ thick gallery wrap. None of these paintings need framing since I paint the edges as well.
Since I am just about to depart on a painting retreat for a week in St. Kitts, organized by my dear friend and fellow artist, Beth Haizlip…I have been in a tropical island mood. The scene was entirely made up but have glints of other island paintings that I have done recently. It takes many paintings to work out an idea and then coming up with plans for execution of the idea. Painting is not just “willy nilly” dabbing paint on a canvas. Each layer must be strategized and analyzed. I am trying to have each stroke of the brush be deliberate. There are layers of glazes in various colors between the wet brush strokes.
“Perfect Evening” is 40x16x1.5″ gallery wrap
“Sunset Moonrise” is 40x30x1.5″ and expands on the idea of the previous work. I find the scene quite romantic as lovers stand on the porch of a little island cottage, watching the moon rise as the sun sets.
“First Plunge Baby VI” is a new 36″ square heavy gallery wrap, ready to hang. I am intrigued by how as soon as they hatch, the little sea turtles climb out of a mound of sand and instinctively make their way to the surf. Such brave little ones. I have been exploring making my brush strokes more impressionistic but deliberate.
I had this idea in my head of painting a mermaid interacting with a sea turtle. After numerous sketches, I came up with this idea. This siren is in the shallow waters near a reef so there are fish and seaweeds. when I was younger, I did quite a bit of diving with a snorkel and also dive tank and gear. I had to pull my memories of how the highlights hit the water and make patterns on the sea floor and everything else. Since this scene was totally made up, I also had to figure out how the light would hit certain parts of the mermaids body and how the shadows played with the highlights. I wanted to keep it my expressionistic/impressionistic stylings so didn’t try for realism. For instance the little fish are made from three quick brushstrokes.
The objective is to distill more emotion with luminous colorings and the sweep of the brushstrokes showing movement of the water. The seaweed fanning with the currents and bubbles floating up along with her hair give the feeling of being underwater.
“Silent Conversation” is 48′ tall and 36″ wide.
Her face took the most time, She took on many faces until she finally appeared.
“Sea Turtle and Red Coral” was started a month ago and I shared my progress with my students. Even when I wasn’t in class, I took cell photos and emailed the progress to the class with what was done during that particular session. It went through a lot of changes and I still wanted to keep is more abstract and fun with bright colors and a happy expression. This painting is 36×18″ and is available for sale. I am having a summer sale on my paintings so inquire if interested.
Morning Surf is 36×24″ and has a lot of modeling plaster, heavy paint and layers of thin glazes mixed with acrylic glazing medium. I wanted to keep this rather abstract.
Breaking Onshore is 24×24″ and has a bit less texture. This painting went through many stages and the underpainting was so abstract with some fresh blues and shapes that were pretty simple. I actually loved that stage and told myself to leave it alone. But no! I started messing with it and pretty soon it was more realistic with a lot more details and glazes. Still some simplicity remains.
“From the Shore” Sailing around the islands is a larger piece 48×36″. I was bodysurfing an noticed the colors of the water being an olive green with the top of the water reflecting the sky blues. Originally it was just the waves at a low angle. Then I decided to add some islands in the distance with sailboats. Making up a scene from an original inspiration is challenging.
All of these paintings are affordable so if you know anyone interested, have them contact me. Thanks.
This mermaid painting was started nearly 2 months ago and I have been working on it off and on. Finally last week, I made some progress and reached a place where she spoke ” Here I am”. When first I started sketching in her face, it was too large for her body so several days of alterations and adding fish and elements was necessary. I liked the areas of very little detail mixed with smaller areas of detail. Its still soft and semi impressionistic.
“Siren Lounge” is 40x30x1.5″ and is available at this time.