Christina is finally completed. She is 48×36″ thick gallery wrap.
My sister, Sherie remarked that she reminded her of Andrew Wyeth’s painting of Christina in the fields. SO this is my version of her under the sea.
Detail shots. Prints are now available on demand.
“Rachel” was completed this week finally. She is 48×36″ thick gallery wrap. Since I made the scene up, there were many challenges. I wanted to show how light hits objects under the water and included the reflections of the water on her skin and the coral rocks that she is perched on. A red octopus slithers up through the crevas to visit.
Here are some details:
Rachel loves her jewelry and shell bra…
Various stages from sketches to final on this acrylic painting.
For a year after painting a manta and sting ray collection of underwater paintings, I had in my mind to do a very large painting with all kinds of rays gliding through the water. Working on a 60×48″ canvas is never easy since my studio is rather small. I had to put most of the canvas on my larger easel and rest the other end of the canvas on a small table. I do find that painting large is much more energetic and after several hours, my muscles are sore so I try to work on other smaller pieces for awhile.
“Gathering Rays” is completed and looking for a nice large wall to enhance a room. I figure it would be like being in an aquarium, right?
details of impressionistic paint strokes and decor idea
I had this idea in my head of painting a mermaid interacting with a sea turtle. After numerous sketches, I came up with this idea. This siren is in the shallow waters near a reef so there are fish and seaweeds. when I was younger, I did quite a bit of diving with a snorkel and also dive tank and gear. I had to pull my memories of how the highlights hit the water and make patterns on the sea floor and everything else. Since this scene was totally made up, I also had to figure out how the light would hit certain parts of the mermaids body and how the shadows played with the highlights. I wanted to keep it my expressionistic/impressionistic stylings so didn’t try for realism. For instance the little fish are made from three quick brushstrokes.
The objective is to distill more emotion with luminous colorings and the sweep of the brushstrokes showing movement of the water. The seaweed fanning with the currents and bubbles floating up along with her hair give the feeling of being underwater.
“Silent Conversation” is 48′ tall and 36″ wide.
Her face took the most time, She took on many faces until she finally appeared.